Japan's Manga Revolution: From Painted Scrolls to Comic Books 1680 -1920 Ingram Book Company surviving to recount his miraculous

surviving to recount his miraculous escape and expose the atrocities that led to over a million deaths

在这里，活着是一种恩赐，而不是权利。 —游走于虚构与非虚构之间的自传体小说— —以个人记忆对抗集体记忆的实验性文本— 【编辑推荐】 ◆卡尔维诺、罗兰·巴特、安妮·埃尔诺一致推崇，龚古尔奖遗珠，美第奇文学奖、勒诺多文学奖得主乔治·佩雷克先锋代表作 ◆用个体记忆对抗集体记忆，写就宏大历史的碾压下，独特的个人回忆 ◆以兼 有虚构/非虚构的残酷寓言，模糊回忆录和小说的边界，实验性的写作方式，探索自传体小说的表达极限 ◆根据七星文库版，重新修订译文，逼近真实文本及文学意蕴 【内容简介】 “我没有童年回忆。另一段历史，那段大历史，举着它巨大的斧头，已经替我回答了这个问题：战争、集中营。” 童年是一片空白。战争在佩雷克的生命中凿出一块无法忽略的缺口。但在这本书里，他拼凑着从虚无中夺来的生命碎片，试图抢救出对父母的回忆。 W是一座虚构的岛屿。在被奥林匹克理想统治的W上，能不能吃上饭、将拥有什么名字、会不会被打死—一切基本生活都取决于竞技的结果。居民的命运完全随机，裁判可以任意改变规则。在这里，活着是一种恩赐而非权利。 一个是关乎童年的故事，一个是童年创作的故事，两个文本交叉重叠，在那之间的空缺、折损、断裂之处，悬着一段属于个人也属于集体的残酷历史……

Taipei at Daybreak is a coming-of-age novel like no other

1 德国“白乌鸦奖”入选图书 挪威设计师协会“年度最美图书视觉奖” ★ 挪威非虚构类畅销书榜NO

Japan's Manga Revolution: From Painted Scrolls to Comic Books 1680 -1920 Ingram Book Company surviving to recount his miraculousJourney through Japan's illustrated history and discover the roots of manga before it took the world by storm. In this compelling survey, art historian Andreas Marks traces the development of Japanese illustrated books in premodern times. As early as the 17th century, Japanese publishers were producing thousands of illustrated titles on subjects ranging from religion and poetry to celebrated beauties, famous kabuki actors, farting warriors, and